C̲ó̲m̲o̲ c̲o̲n̲o̲c̲í̲ a̲ t̲u̲ m̲a̲d̲r̲e̲ –̲ T̲e̲m̲p̲o̲r̲a̲d̲a̲ 9̲ E̲p̲i̲s̲o̲d̲i̲o̲ 2̲2̲

El camino al altar

D̳o̳m̳i̳n̳g̳o̳ a̳ l̳a̳s̳ 5̳:̳2̳8̳ p̳.̳m̳.̳ (̳3̳2̳ m̳i̳n̳u̳t̳o̳s̳ a̳n̳t̳e̳s̳ d̳e̳ l̳a̳ b̳o̳d̳a̳)̳ /̳ D̳o̳m̳i̳n̳g̳o̳ a̳ l̳a̳s̳ 6̳:̳0̳0̳ p̳.̳m̳.̳ (̳L̳a̳ b̳o̳d̳a̳)̳ M̳e̳d̳i̳a̳ h̳o̳r̳a̳ a̳n̳t̳e̳s̳ d̳e̳ l̳a̳ b̳o̳d̳a̳ B̳a̳r̳n̳e̳y̳ t̳i̳e̳n̳e̳ p̳r̳o̳b̳l̳e̳m̳a̳s̳ p̳a̳r̳a̳ e̳s̳c̳r̳i̳b̳i̳r̳ s̳u̳s̳ p̳r̳e̳ n̳u̳p̳c̳i̳a̳l̳e̳s̳,̳ T̳e̳d̳ i̳n̳t̳e̳n̳t̳a̳ c̳o̳n̳v̳e̳n̳c̳e̳r̳ a̳ R̳o̳b̳i̳n̳ d̳e̳ n̳o̳ e̳s̳c̳a̳p̳a̳r̳s̳e̳ y̳ M̳a̳r̳s̳h̳a̳l̳l̳ y̳ L̳i̳l̳y̳ r̳e̳e̳s̳c̳r̳i̳b̳e̳n̳ s̳u̳s̳ v̳o̳t̳o̳s̳ e̳n̳ l̳a̳ i̳g̳l̳e̳s̳i̳a̳ a̳n̳t̳e̳s̳ d̳e̳ q̳u̳e̳ l̳l̳e̳g̳u̳e̳n̳ t̳o̳d̳o̳s̳ l̳o̳s̳ i̳n̳v̳i̳t̳a̳d̳o̳s̳.̳ A̳l̳ f̳i̳n̳a̳l̳ R̳o̳b̳i̳n̳ c̳o̳n̳o̳c̳e̳ a̳ l̳a̳ m̳a̳d̳r̳e̳ y̳ e̳l̳l̳a̳ l̳a̳ h̳a̳c̳e̳ r̳e̳f̳l̳e̳x̳i̳o̳n̳a̳r̳ q̳u̳e̳ s̳u̳ b̳o̳d̳a̳ c̳o̳n̳ B̳a̳r̳n̳e̳y̳ e̳s̳ l̳o̳ c̳o̳r̳r̳e̳c̳t̳o̳ y̳ d̳e̳s̳p̳u̳é̳s̳ d̳e̳ t̳o̳d̳o̳ e̳l̳ f̳i̳n̳ d̳e̳ s̳e̳m̳a̳n̳a̳ l̳l̳e̳n̳o̳ d̳e̳ e̳m̳o̳c̳i̳ó̳n̳ l̳o̳s̳ d̳o̳s̳ p̳o̳r̳ f̳i̳n̳ s̳e̳ c̳a̳s̳a̳n̳.̳

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